![]() The journey undertaken sees the character undergo both physical and emotional battles, which work together to bring them to a better understanding of their life and their place in the world. Peace and Fulfilment Before the Hero’s Return (Apotheosis).Within this overall structure, Campbell proposes 17 story stages: The religious idea of “cleansing” is also important, giving a sense of the character transforming from old to new – the character arc.Ĭampbell summarises the monomythic character journey as:Ī hero ventures forth from the world of common day into a region of supernatural wonder: fabulous forces are there encountered and a decisive victory is won: the hero comes back from this mysterious adventure with the power to bestow boons on his fellow man. The journey, Campbell argues, usually includes a symbolic death and re-birth of the character. This monomyth is known as the “hero’s journey”.Ĭomprising three stages – separation, initiation and return – the hero’s journey offers a narrative framework for understanding the progression of a character, namely the protagonist. Campbell defines this as the “monomyth” – the typical trajectory of a story, across all cultures and religions. In this book, Campbell studies many hundreds of fairy tales, folk tales and legends in order to unearth a common “pattern” in the structure of stories. ![]() The most widely known application of Campbell’s work, particularly his book The Hero with a Thousand Faces, is to the area of film. ![]()
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